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132 items
Robert A. Nakamura Interview Segment 15 (ddr-densho-1003-4-15)
vh Robert A. Nakamura Interview Segment 15 (ddr-densho-1003-4-15)
Living independently after graduating from high school

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 22 (ddr-densho-1003-4-22)
vh Robert A. Nakamura Interview Segment 22 (ddr-densho-1003-4-22)
Going to film school at UCLA

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 26 (ddr-densho-1003-4-26)
vh Robert A. Nakamura Interview Segment 26 (ddr-densho-1003-4-26)
The work of Visual Communications

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 23 (ddr-densho-1003-4-23)
vh Robert A. Nakamura Interview Segment 23 (ddr-densho-1003-4-23)
Studying film and establishing Visual Communications

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 16 (ddr-densho-1003-4-16)
vh Robert A. Nakamura Interview Segment 16 (ddr-densho-1003-4-16)
Working as a magazine photographer

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 10 (ddr-densho-1003-4-10)
vh Robert A. Nakamura Interview Segment 10 (ddr-densho-1003-4-10)
The Japanese American community in Denver

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 31 (ddr-densho-1003-4-31)
vh Robert A. Nakamura Interview Segment 31 (ddr-densho-1003-4-31)
Getting involved in the redress movement

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 32 (ddr-densho-1003-4-32)
vh Robert A. Nakamura Interview Segment 32 (ddr-densho-1003-4-32)
Becoming involved with the Japanese American National Museum

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 25 (ddr-densho-1003-4-25)
vh Robert A. Nakamura Interview Segment 25 (ddr-densho-1003-4-25)
Making the film Wataridori: Birds of Passage

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 17 (ddr-densho-1003-4-17)
vh Robert A. Nakamura Interview Segment 17 (ddr-densho-1003-4-17)
Working as a photographer for Charles Eames

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 20 (ddr-densho-1003-4-20)
vh Robert A. Nakamura Interview Segment 20 (ddr-densho-1003-4-20)
Photographing the first Manzanar pilgrimage

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 3 (ddr-densho-1003-4-3)
vh Robert A. Nakamura Interview Segment 3 (ddr-densho-1003-4-3)
Born in Venice, California

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 21 (ddr-densho-1003-4-21)
vh Robert A. Nakamura Interview Segment 21 (ddr-densho-1003-4-21)
Description of the first Manzanar pilgrimage

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 1 (ddr-densho-1003-4-1)
vh Robert A. Nakamura Interview Segment 1 (ddr-densho-1003-4-1)
Father's family background

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 14 (ddr-densho-1003-4-14)
vh Robert A. Nakamura Interview Segment 14 (ddr-densho-1003-4-14)
Influence of father's prewar gardening business

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 28 (ddr-densho-1003-4-28)
vh Robert A. Nakamura Interview Segment 28 (ddr-densho-1003-4-28)
The influence of the film Hito Hata

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Robert A. Nakamura Interview Segment 30 (ddr-densho-1003-4-30)
vh Robert A. Nakamura Interview Segment 30 (ddr-densho-1003-4-30)
Description of several more films

This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.

Narrator Robert A. Nakamura

Nisei/Sansei male. Born July 5, 1936, in Venice, California. During World War II, removed to the Manzanar concentration camp, California. After leaving camp, lived for a time in Denver before returning to Los Angeles. After the war, became a pioneering filmmaker. Founder of Visual Communications, the oldest community-based media arts center in the United States. Along …
Letter from Robert K. Bratt, Administrator for Redress, U.S. Department of Justice to Dear Recipient or Guardian, March 30, 1990 (ddr-csujad-55-2042)
doc Letter from Robert K. Bratt, Administrator for Redress, U.S. Department of Justice to Dear Recipient or Guardian, March 30, 1990 (ddr-csujad-55-2042)
Correspondence from Robert K. Bratt to Dear Recipient or Guardian regarding a checklist of required documents for recipients of restitution payments. Includes supporting documentation submitted by George Nakamura. See this object in the California State Universities Japanese American Digitization project site: sac_jaac_2145
Letter from Robert K. Bratt, Administrator for Redress, U.S. Department of Justice to Dear Recipient, December 28, 1989 (ddr-csujad-55-2043)
doc Letter from Robert K. Bratt, Administrator for Redress, U.S. Department of Justice to Dear Recipient, December 28, 1989 (ddr-csujad-55-2043)
Correspondence from Robert K. Bratt to Dear Recipient regarding eligibility for redress payments. Includes Declaration of Eligibility by Persons Identified by the Office of Redress Administration for George Hideo Nakamura and Instructions for Submitting Documentation. See this object in the California State Universities Japanese American Digitization project site: sac_jaac_2146
Looking Like the Enemy (ddr-densho-1024-90)
av Looking Like the Enemy (ddr-densho-1024-90)
Documentary film on the unique experiences of Japanese American soldiers in Asian wars: World War II, the Korean War, and the Vietnam War. The 52-minute film was made by Karen L. Ishizuka and Robert A. Nakamura in conjunction with the exhibition Fighting for Tomorrow: Japanese Americans in America's Wars at the Japanese American National Museum and …
Harsh Canvas: Henry Sugimoto (ddr-densho-1024-89)
av Harsh Canvas: Henry Sugimoto (ddr-densho-1024-89)
A 2001 biographical documentary film on the life and work of Issei artist Henry Sugimoto, based on the artist's memoirs and testimony before the Commission on Wartime Relocation and Internment of Civilians. The film highlights Sugimoto's art through archival and contemporary footage and follows his life's journey from immigration to his incarceration with his family during …
9066 to 9/11: America's Concentration Camps Then... and Now? (ddr-densho-1024-91)
av 9066 to 9/11: America's Concentration Camps Then... and Now? (ddr-densho-1024-91)
A 2004 documentary film directed by Akira Boch that looks at the World War II expulsion of Japanese Americans into American concentration camps through the contemporary lens of the terrorist attacks of September 11, 2001. See this item in the Densho Resource Guide at: 9066 to 9/11: America's Concentration Camps Then... and Now? (film). See …
Tulean Dispatch Vol. 5 No. 76 (June 17, 1943) (ddr-densho-65-380)
doc Tulean Dispatch Vol. 5 No. 76 (June 17, 1943) (ddr-densho-65-380)
Selected article titles: "Books Being Distributed" (p. 1), "To Amend Charter So Issei May Hold Offices" (p. 1), "Common Ground Magazine Includes Evacuee Articles" (p. 2), "Evacuee Farm Equipment Used" (p. 2).
Portrait of group of men outside barracks, with individual autographs on front. (ddr-ajah-2-806)
img Portrait of group of men outside barracks, with individual autographs on front. (ddr-ajah-2-806)
Inscription on back: Section 10 Class - Camp Savage, Minnesota Dec. '42 - June '43. With names and hometowns identified. Supplemental scan of ddr-ajah-2-433 with additional notes
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