Standing left to right: May Shiraishi, Patricia Holt, Diana Lynn Rieko Morita Cole. Kneeling: Carol Higashigawa. Dressed up for "Lollipops" performance at Ogden School, taken in the school's gymnasium.
Caption left of photo: A young Nisei represents the aspirations of the Japanese in America. . .on roller skates, in Takuritsu Morita's portrait, circa 1920s.
Portrait of sisters Chizu (Isoshima) Morita (left) and Fuki (Isoshima) Kawada (right). Caption below the photo is "Sister's Chizu & Fuki" written in black ink. Caption on bottom of page is "Takeo's Siblings: Sister Yukiko 1913 St. Marie, Idaho Takeo 1915 St. Marie, Idaho Brother Hiroo 1918 Okayama, Japan Sister Chizu 1925 White Fish, Montana Sister …
Caption below photo: Takuritsu Morita, far left, enjoys a day with issue friends, probably in Alameda, CA. There is a good chance that this is a self portrait, something Takuritsu enjoyed doing and was quite good at. Circa 1915-1920s
Inscription on photo front in Japanese. Caption below photo: In the front row, 7th from left (wearing glasses) is Takuritsu Morita. He was teaching and living in Alameda, CA and he would move his family to Mountain View, CA in 1933 and teach at a gakuen there until World War II. Photo November 27, 1937. Hanamura …
Caption below photo: Portrait of a "modern" Issei man. His hair and clothing appear more from the late 20th century than the beginning. Circa 1915-early 1920s. Photo by Takuritsu Morita
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.
Mother's family background: grandparents' immigration to the U.S.
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.
This material is based upon work assisted by a grant from the Department of the Interior, National Park Service. Any opinions, finding, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior.