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Joanne F. Oppenheim Interview Segment 6 (ddr-densho-1000-417-6)
vh Joanne F. Oppenheim Interview Segment 6 (ddr-densho-1000-417-6)
Reuniting with Japanese friend for a class reunion
https://ddr.densho.org/ddr-densho-1000-417-6/
Joanne F. Oppenheim Interview Segment 11 (ddr-densho-1000-417-11)
vh Joanne F. Oppenheim Interview Segment 11 (ddr-densho-1000-417-11)
Contacting Senator Daniel Inouye about his memories about Stanley Hayami
https://ddr.densho.org/ddr-densho-1000-417-11/
Joanne F. Oppenheim Interview Segment 12 (ddr-densho-1000-417-12)
vh Joanne F. Oppenheim Interview Segment 12 (ddr-densho-1000-417-12)
Belatedly finding additional materials about Stanley Hayami
https://ddr.densho.org/ddr-densho-1000-417-12/
Joanne F. Oppenheim Interview Segment 5 (ddr-densho-1000-417-5)
vh Joanne F. Oppenheim Interview Segment 5 (ddr-densho-1000-417-5)
Witnessing father's reaction to the Jewish death camps
https://ddr.densho.org/ddr-densho-1000-417-5/
Joanne F. Oppenheim Interview Segment 10 (ddr-densho-1000-417-10)
vh Joanne F. Oppenheim Interview Segment 10 (ddr-densho-1000-417-10)
Finding letters from Stanley Hayami to his family
https://ddr.densho.org/ddr-densho-1000-417-10/
Martha Nishitani Segment 10 (ddr-densho-1000-71-10)
vh Martha Nishitani Segment 10 (ddr-densho-1000-71-10)
Battling shyness in elementary school
https://ddr.densho.org/ddr-densho-1000-71-10/
Martha Nishitani Segment 28 (ddr-densho-1000-71-28)
vh Martha Nishitani Segment 28 (ddr-densho-1000-71-28)
First discovery of dance: "I wanted to dance ever since I was six"
https://ddr.densho.org/ddr-densho-1000-71-28/
Martha Nishitani Segment 12 (ddr-densho-1000-71-12)
vh Martha Nishitani Segment 12 (ddr-densho-1000-71-12)
Refused service on a public bus after the bombing of Pearl Harbor
https://ddr.densho.org/ddr-densho-1000-71-12/
Martha Nishitani Segment 17 (ddr-densho-1000-71-17)
vh Martha Nishitani Segment 17 (ddr-densho-1000-71-17)
Trying to spark interest in Japanese dance in camp
https://ddr.densho.org/ddr-densho-1000-71-17/
Martha Nishitani Segment 2 (ddr-densho-1000-71-2)
vh Martha Nishitani Segment 2 (ddr-densho-1000-71-2)
Establishment of family business, the Oriental Gardens
https://ddr.densho.org/ddr-densho-1000-71-2/
Martha Nishitani Segment 7 (ddr-densho-1000-71-7)
vh Martha Nishitani Segment 7 (ddr-densho-1000-71-7)
Siblings help to raise each other
https://ddr.densho.org/ddr-densho-1000-71-7/
Martha Nishitani Segment 8 (ddr-densho-1000-71-8)
vh Martha Nishitani Segment 8 (ddr-densho-1000-71-8)
Influence of Caucasian sister-in-law, "'You're just like everyone else, you're an American citizen'"
https://ddr.densho.org/ddr-densho-1000-71-8/
Martha Nishitani Segment 26 (ddr-densho-1000-71-26)
vh Martha Nishitani Segment 26 (ddr-densho-1000-71-26)
Special relationship with mother
https://ddr.densho.org/ddr-densho-1000-71-26/
Martha Nishitani Segment 30 (ddr-densho-1000-71-30)
vh Martha Nishitani Segment 30 (ddr-densho-1000-71-30)
Busy days studying dance, teaching classes, and making sewing costumes
https://ddr.densho.org/ddr-densho-1000-71-30/
Martha Nishitani Segment 35 (ddr-densho-1000-71-35)
vh Martha Nishitani Segment 35 (ddr-densho-1000-71-35)
Different experiences choreographing opera
https://ddr.densho.org/ddr-densho-1000-71-35/
Martha Nishitani Segment 38 (ddr-densho-1000-71-38)
vh Martha Nishitani Segment 38 (ddr-densho-1000-71-38)
Inspiration behind "A Shepherdess," maternal instinct
https://ddr.densho.org/ddr-densho-1000-71-38/
Martha Nishitani Segment 25 (ddr-densho-1000-71-25)
vh Martha Nishitani Segment 25 (ddr-densho-1000-71-25)
Mother's support of dance career
https://ddr.densho.org/ddr-densho-1000-71-25/
Martha Nishitani Segment 14 (ddr-densho-1000-71-14)
vh Martha Nishitani Segment 14 (ddr-densho-1000-71-14)
Removal from Seattle; "Hundreds of little black heads ... they all looked alike"
https://ddr.densho.org/ddr-densho-1000-71-14/
Martha Nishitani Segment 19 (ddr-densho-1000-71-19)
vh Martha Nishitani Segment 19 (ddr-densho-1000-71-19)
Social life in Minidoka concentration camp: dancing and meeting boys
https://ddr.densho.org/ddr-densho-1000-71-19/
Martha Nishitani Segment 48 (ddr-densho-1000-71-48)
vh Martha Nishitani Segment 48 (ddr-densho-1000-71-48)
Sacrifice as an artist
https://ddr.densho.org/ddr-densho-1000-71-48/
Martha Nishitani Segment 47 (ddr-densho-1000-71-47)
vh Martha Nishitani Segment 47 (ddr-densho-1000-71-47)
Importance of pursing what you love the most in life
https://ddr.densho.org/ddr-densho-1000-71-47/
Martha Nishitani Segment 44 (ddr-densho-1000-71-44)
vh Martha Nishitani Segment 44 (ddr-densho-1000-71-44)
Enlightening others about modern dance
https://ddr.densho.org/ddr-densho-1000-71-44/
Martha Nishitani Segment 40 (ddr-densho-1000-71-40)
vh Martha Nishitani Segment 40 (ddr-densho-1000-71-40)
Home as an inspiration for "Transit in Dormancy" and the multimedia film "Water Images"
https://ddr.densho.org/ddr-densho-1000-71-40/
Martha Nishitani Segment 22 (ddr-densho-1000-71-22)
vh Martha Nishitani Segment 22 (ddr-densho-1000-71-22)
Influence of first professional modern dance teacher, Eleanor King
https://ddr.densho.org/ddr-densho-1000-71-22/
Martha Nishitani Segment 46 (ddr-densho-1000-71-46)
vh Martha Nishitani Segment 46 (ddr-densho-1000-71-46)
Reflections on relationship with mother
https://ddr.densho.org/ddr-densho-1000-71-46/
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