{"total":7,"limit":25,"offset":0,"prev_offset":null,"next_offset":null,"page_size":25,"this_page":1,"num_this_page":7,"prev_api":"","next_api":"","objects":[{"id":"ddr-densho-1007-1858","model":"entity","index":"0 0/{'value': 7, 'relation': 'eq'}","links":{"html":"https://ddr.densho.org/ddr-densho-1007-1858/","json":"https://ddr.densho.org/api/0.2/ddr-densho-1007-1858/","img":"https://ddr.densho.org/media/ddr-densho-1007/ddr-densho-1007-1858-mezzanine-104b3e5f51-a.jpg","thumb":"http://ddrmedia.local/media/ddr-densho-1007/ddr-densho-1007-1858-mezzanine-104b3e5f51-a.jpg"},"title":"Memorandum for Exhibit Planning","description":"Memorandum from Aiko Herzig-Yoshinaga who was a member of the Advisory Committee for the Japanese American exhibit at the Smithsonian Institution's National Museum of American History for the 1987 bicentennial of the U.S. Constitution. The memorandum provided suggestions for improvements to the exhibit and was addressed to other members of the Advisory Committee including Michi and Walter Weglyn, Raymond Okamura, Philip Nash, Kiku Funabiki, Takako Kusunoki Wada, and Jimmie Omura.","extent":"8.5W x 11H","links_children":"ddr-densho-1007-1858","creators":[{"role":"author","namepart":"Herzig-Yoshinaga, Aiko"}],"topics":[{"term":"Reflections on the past -- Exhibitions","id":"394"},{"term":"World War II","id":"399"},{"term":"Geographic communities -- Washington D.C.","id":"507"}],"format":"doc","language":["eng"],"persons":[{"namepart":"Smithsonian National Museum of American History"},{"nr_id":"88922/nr008nt0m","namepart":"Hori, Kiku"},{"nr_id":"88922/nr009rk47","namepart":"Miyazaki, Aiko"},{"nr_id":"88922/nr005jd36","namepart":"Okamura, Raymond"},{"nr_id":"88922/nr005gh3x","namepart":"Nishiura, Michiko"}],"contributor":"Densho","rights":"cc","genre":"misc_document","location":"Washington, D. 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Washington representative and researcher for National Council for Japanese American Redress (NCJAR) and primary archival researcher for the Commission on Wartime Relocation and Internment of Civilians (CWRIC), and the three coram nobis cases. Consultant to the Smithsonian Institution's National Museum of American History exhibition. \"A More Perfect Union: Japanese Americans and the United States Constitution\"; and consultant for the Justice Department's Office of Redress Administration."},{"id":"ddr-densho-1000-250","model":"entity","index":"2 2/{'value': 7, 'relation': 'eq'}","links":{"html":"https://ddr.densho.org/ddr-densho-1000-250/","json":"https://ddr.densho.org/api/0.2/ddr-densho-1000-250/","img":"https://ddr.densho.org/media/ddr-densho-1000/denshovh-haiko-03-a.jpg","thumb":"http://ddrmedia.local/media/ddr-densho-1000/denshovh-haiko-03-a.jpg"},"title":"Aiko Herzig-Yoshinaga Interview II","description":"Nisei female. Born August 5, 1924, in Sacramento, California. Grew up in Sacramento and Los Angeles. During World War II, removed to the Manzanar concentration camp, California, and transferred to the Jerome concentration camp, Arkansas. Washington representative and researcher for National Council for Japanese American Redress (NCJAR) and primary archival researcher for Commission on Wartime Relocation and Internment of Civilians (CWRIC), the three <i>coram nobis</i> cases. Consultant to the Smithsonian Institution's National Museum of American History exhibition. \"A More Perfect Union: Japanese Americans and the United States Constitution\"; and consultant for the Justice Department's Office of Redress Administration.","extent":"02:33:10","links_children":"ddr-densho-1000-250","creators":[{"role":"narrator","oh_id":18,"namepart":"Aiko Herzig-Yoshinaga"},{"role":"interviewer","namepart":"Tom Ikeda"},{"role":"videographer","namepart":"Dana Hoshide"}],"format":"vh","language":["eng"],"persons":[{"nr_id":"88922/nr009rk47","namepart":"Miyazaki, Aiko"}],"contributor":"Densho","rights":"cc","genre":"interview","location":"Torrance, California","creation":"July 7, 2009","status":"completed","search_hidden":"Aiko Herzig-Yoshinaga narrator \nTom Ikeda interviewer \nDana Hoshide videographer Miyazaki, Aiko 88922nr009rk47","download_large":"denshovh-haiko-03-a.jpg"},{"id":"135","model":"narrator","index":"3 3/{'value': 7, 'relation': 'eq'}","links":{"html":"https://ddr.densho.org/narrators/135/","json":"https://ddr.densho.org/api/0.2/narrator/135/","img":"https://ddr.densho.org/media/narrators/sroger.jpg","thumb":"https://ddr.densho.org/media/narrators/sroger.jpg","interviews":"https://ddr.densho.org/api/0.2/narrator/135/interviews/"},"display_name":"Roger Shimomura","bio":"Roger Shimomura's paintings, prints, and theater pieces address sociopolitical issues of Asian America. The inspiration for many of his works are the diaries kept by his late immigrant grandmother for fifty-six years. He received his undergraduate degree from the University of Washington in Seattle, and his graduate degree from Syracuse University, New York. Shimomura has had more than 100 solo exhibitions of his paintings and prints, and has presented his experimental theater pieces at such venues as the Franklin Furnace, New York; Walker Art Center, Minneapolis; and the National Museum of American History, Smithsonian Institution, Washington, D.C. He is the recipient of four National Endowment for the Arts Fellowships in painting and performance art, a McKnight Fellowship, and a Civil Liberties Public Education Fund Fellowship. He was the first artist to be awarded an international Japan Foundation Grant, as well as the first in the state to receive the Kansas Arts Commission Artist Fellowship in Painting. In fall 1990, Shimomura was appointed the Dayton Hudson Distinguished Visiting Professor at Carleton College, Northfield, Minnesota. Professor Shimomura has lectured on his work at more than 160 universities and art museums across the United States. In 1994 he was designated a University Distinguished Professor on the University of Kansas faculty, the first so honored in the history of the School of Fine Arts at that campus. In 1998, he received the Higuchi Research Prize, the highest annual honor bestowed on a Kansas University faculty member in the Humanities and Social Sciences.  In 1999, the Seattle Urban League named a scholarship for him that is awarded annually to a Seattle resident pursuing a career in art. The College Art Association presented him with the Artist Award for Most Distinguished Body of Work for 2001, in recognition of his four-year, twelve-museum national tour of the painting exhibition An American Diary. Shimomura's personal papers are being collected by the Archives of American Art, Smithsonian Institution. He is represented by Jeffrey Hoffeld & Company, Inc., New York; Jan Cicero Gallery, Chicago; Jan Weiner Gallery, Kansas City; Bernice Steinbaum Gallery, Miami; and Greg Kucera Gallery, Seattle."},{"id":"ddr-densho-1000-16","model":"entity","index":"4 4/{'value': 7, 'relation': 'eq'}","links":{"html":"https://ddr.densho.org/ddr-densho-1000-16/","json":"https://ddr.densho.org/api/0.2/ddr-densho-1000-16/","img":"https://ddr.densho.org/media/ddr-densho-1000/denshovh-haiko-01-a.jpg","thumb":"http://ddrmedia.local/media/ddr-densho-1000/denshovh-haiko-01-a.jpg"},"title":"Aiko Herzig-Yoshinaga Interview I","description":"Nisei female. Born August 5, 1924, in Sacramento, California. Grew up in Sacramento and Los Angeles. During World War II, removed to the Manzanar concentration camp, California, and transferred to the Jerome concentration camp, Arkansas. Washington representative and researcher for National Council for Japanese American Redress (NCJAR) and primary archival researcher for the Commission on Wartime Relocation and Internment of Civilians (CWRIC), and the three coram nobis cases. Consultant to the Smithsonian Institution's National Museum of American History exhibition. \"A More Perfect Union: Japanese Americans and the United States Constitution\"; and consultant for the Justice Department's Office of Redress Administration.<p>(This interview was conducted at the Voices of Japanese American Redress Conference, held on the UCLA campus and sponsored by the UCLA Asian American Studies Center and the UCLA School of Public Policy and Social Research. Because of the full conference schedule, our interviews were limited to one hour. The interviews therefore focused primarily on a single topic, namely, the narrator's role in the redress movement.)","extent":"00:55:52","links_children":"ddr-densho-1000-16","creators":[{"role":"narrator","oh_id":18,"namepart":"Aiko Herzig-Yoshinaga"},{"role":"interviewer","namepart":"Larry Hashima"},{"role":"interviewer","namepart":"Glen Kitayama"},{"role":"videographer","namepart":"Matt Emery"}],"format":"vh","language":["eng"],"persons":[{"nr_id":"88922/nr009rk47","namepart":"Miyazaki, Aiko"}],"contributor":"Densho","rights":"cc","genre":"interview","location":"University of CA, Los Angeles","creation":"September 11, 1997","status":"completed","search_hidden":"Aiko Herzig-Yoshinaga narrator \nLarry Hashima interviewer \nGlen Kitayama interviewer \nMatt Emery videographer Miyazaki, Aiko 88922nr009rk47","download_large":"denshovh-haiko-01-a.jpg"},{"id":"ddr-densho-1002-8","model":"entity","index":"5 5/{'value': 7, 'relation': 'eq'}","links":{"html":"https://ddr.densho.org/ddr-densho-1002-8/","json":"https://ddr.densho.org/api/0.2/ddr-densho-1002-8/","img":"https://ddr.densho.org/media/ddr-densho-1002/denshovh-haiko-02-a.jpg","thumb":"http://ddrmedia.local/media/ddr-densho-1002/denshovh-haiko-02-a.jpg"},"title":"Aiko Herzig Interview","description":"Nisei female. 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As a result, the interviews in this collection are typically not life histories, instead primarily focusing on issues surrounding the resistance movement itself.)","extent":"01:52:29","links_children":"ddr-densho-1002-8","creators":[{"role":"narrator","oh_id":18,"namepart":"Herzig-Yoshinaga, Aiko"},{"role":"interviewer","namepart":"Emiko Omori"},{"role":"interviewer","namepart":"Chizu Omori"},{"role":"videographer","namepart":"Emiko Omori and Witt Mons"}],"format":"vh","language":["eng"],"persons":[{"nr_id":"88922/nr009rk47","namepart":"Miyazaki, Aiko"}],"contributor":"Emiko and Chizuko Omori Collection","rights":"cc","genre":"interview","location":"San Francisco, California","creation":"March 20, 1994","status":"completed","search_hidden":"Herzig-Yoshinaga, Aiko narrator \nEmiko Omori interviewer \nChizu Omori interviewer \nEmiko Omori and Witt Mons videographer Miyazaki, Aiko 88922nr009rk47","download_large":"denshovh-haiko-02-a.jpg"},{"id":"ddr-densho-1000-142","model":"entity","index":"6 6/{'value': 7, 'relation': 'eq'}","links":{"html":"https://ddr.densho.org/ddr-densho-1000-142/","json":"https://ddr.densho.org/api/0.2/ddr-densho-1000-142/","img":"https://ddr.densho.org/media/ddr-densho-1000/denshovh-sroger-01-a.jpg","thumb":"http://ddrmedia.local/media/ddr-densho-1000/denshovh-sroger-01-a.jpg"},"title":"Roger Shimomura Interview","description":"Roger Shimomura's paintings, prints, and theater pieces address sociopolitical issues of Asian America. 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He was the first artist to be awarded an international Japan Foundation Grant, as well as the first in the state to receive the Kansas Arts Commission Artist Fellowship in Painting. <p></p>In fall 1990, Shimomura was appointed the Dayton Hudson Distinguished Visiting Professor at Carleton College, Northfield, Minnesota. Professor Shimomura has lectured on his work at more than 160 universities and art museums across the United States. In 1994 he was designated a University Distinguished Professor on the University of Kansas faculty, the first so honored in the history of the School of Fine Arts at that campus. In 1998, he received the Higuchi Research Prize, the highest annual honor bestowed on a Kansas University faculty member in the Humanities and Social Sciences.  In 1999, the Seattle Urban League named a scholarship for him that is awarded annually to a Seattle resident pursuing a career in art. The College Art Association presented him with the Artist Award for Most Distinguished Body of Work for 2001, in recognition of his four-year, twelve-museum national tour of the painting exhibition <i>An American Diary</i>.<p></p>Shimomura's personal papers are being collected by the Archives of American Art, Smithsonian Institution. 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